Rage Bait Is a Brilliant Word of the Year
In a surprising twist, the Oxford University Press has selected “rage bait” as its word of the year for 2024, continuing its trend of embracing contemporary, internet-driven language. This choice follows previous selections such as the emoji “đ” in 2015 and “brain rot” in 2023, reflecting the evolving dynamics of the English language in the digital age. Defined as online content deliberately crafted to provoke anger and boost engagement, “rage bait” has seen a threefold increase in usage over the past year. This term encapsulates a significant aspect of the attention economy, where generating outrage can lead to increased traffic and interaction on social media platforms. The decision to recognize “rage bait” comes after input from over 30,000 voters, illustrating a growing public awareness of the term’s relevance in today’s discourse.
Critics of Oxford’s choices often argue that the elevation of such terms dilutes the richness of the English language, favoring fleeting internet trends over timeless literary expressions. For instance, in 2021, National Review’s Kayla Bartsch lamented the rise of “rizz,” claiming it replaced the eloquence of classic authors like Shakespeare and Dickens with the language of TikTok influencers. However, this year’s response to “rage bait” has been markedly less critical, perhaps indicating a shift in acceptance of modern vernacular. Detractors still voice concerns that “rage bait” is too insidious a concept to be celebrated, while others quibble about its classification as two words rather than one. Regardless, the term effectively encapsulates a timeless strategy of drawing attention through provocation, highlighting the darker aspects of human nature and the state of contemporary political discourse.
The significance of “rage bait” lies in its ability to succinctly describe a phenomenon that has become increasingly prevalent in the political landscape. It provides a lens through which to understand actions like President Biden’s controversial AI-generated videos or California Governor Gavin Newsom’s theatrical TikTok celebrations following electoral victories. These instances illustrate how political figures harness the power of outrage to engage audiences, often turning serious debates into spectacles. As the internet continues to shape communication, terms like “rage bait” not only fill a lexical gap but also reflect the complexities of our engagement with media and politics. While some might argue that meme-driven language lacks longevity, “rage bait” seems poised to endure, as long as the algorithms that govern our online interactions prioritize engagement over depth.
The lexicographers at the Oxford University Press seem to be punking us. In
2015
, their âwordâ of the year was âđ.â In
2023
,
rizz
. In
2024
,
brain rot
. And
now
the publishers of the
Oxford English Dictionary
have chosen
rage bait
. As I write this, the spell-check bot has underlined many of these words in red or blue squiggles, urging me to rectify my missteps. But no mistakes have been made here.
Rage bait
âboth the term and the phenomenonâis a product of the attention economy. The Oxford announcement defines it as âonline content deliberately designed to elicit anger,â which is âtypically posted in order to increase traffic to or engagement with a particular web page or social media account.â Its usage has increased threefold over the past year, the press notes. Oxford made its decision after more than 30,000 voters had their say. In endorsing this choice, Oxford may be chasing fame, or clicks, orâyesârage, but it is also rightfully recognizing that language is malleable and that the latest innovations are online.
Language is the freest market that we have. Words that prevail do so on merit, no matter their origin.
Rage bait
is evocative and useful. Because the English language had previously failed to provide such an efficient term, we should be glad that the internet has come through.
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When Oxford and other traditional authorities champion ideas and terms drawn from the internet, in many cases theyâre accused of, at best, mindlessly following trends and, at worst, debasing English speakersâ cultural heritage. Decrying the elevation of
rizz
two years ago, Kayla Bartsch at
National Review
wrote
, âInstitutions such as Oxfordâthe primary steward of the English language for centuriesâhave a choice: elevate this new garble, or propel English speakers on toward worthier turns of phrase.â She then argued that âShakespeare and Dickens have been tossed out and replaced with TikTokers and online trolls.â The same year the British publication
The Tab
lamented
, âItâs like they see a word theyâve never heard of mentioned once on TikTok and automatically assume itâs how every single young person speaks.â Beneath these complaints is a much older debate between descriptivists, who seek to chronicle how people express themselves, and prescriptivists, who favor the enforcement of traditional language norms.
This year, however, the criticism from the latter camp has been muted. Perhaps the ânew garbleâ has won. Perhaps Oxfordâs decision to crown
brain rot
last year spilled the last of the ink on the matter. Some have quibbled that the phenomenon of rage bait is just too dire and insidious for the term to be elevated this way. As Zoe Williams
moaned
in
The
Guardian
: âGood luck in the dictionary business, Oxford, if you collude to make rage bait all the rage.â Otherwise, the main complaint has been that
rage bait
is, in fact,
two words
. (In attempting to preempt such criticism, Oxford has insisted that their word of the year âcan be a singular word or expression, which our lexicographers think of as a single unit of meaning.â)
All words fill some semantic gap. Either they succinctly describe a new phenomenon or they describe an existing one in a more fun and nuanced way.
Rage bait
manages both. In a mere two syllables, it captures a timeless attention-getting strategy predicated on human weakness, and it conveys the acceleration of our algorithmic estrangement from a worthier discourse of ideas. It exposes the baseness of some human impulses and the dysfunctional state of contemporary politics.
Without the concept of rage bait, we couldnât adequately describe why the president of the United States might be
broadcasting
AI-generated videos of him dumping feces on Americans who protest his policies. Nor would we be able to explain why California Governor Gavin Newsom, a likely candidate for the 2028 presidential election, celebrated the Democratsâ electoral wins in November with a TikTok of him and fellow party members slamming Trump and other Republicans in a mock World Wrestling Entertainment smackdown. âNow thatâs what we call a takedown,â Newsom
posted
.
Victory in online debates lies in cultivating an ironic detachment while triggering rivals into earnest, sloppy anger. This feat has
become its own meme
: an image of a lion shrieking at a blithely amused monkey. In 2025, the monkey is winning. Â
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]
This isnât to say that elevating meme lingo always makes sense. Dictionary.com crowned
67
as its word of 2025. Pronounced âsix seven,â the number has become a meme that Gen Alpha kids love
repeating
while making a juggling hand motion. Their inflection mimics the Philadelphia rapper Skrilla, whose song âDoot Doot (6 7)â kick-started the joke after it soundtracked viral TikTok hype videos of the NBA guard LaMelo Ball, who is 6 foot 7. But the term
67
, which lacks a definition, probably wonât last; no kid uses it in a sentence. Itâs simply a universally known in-joke that children use to bond, which makes it an odd choice for a word of the year.
The problem with hitching new words to memes is that memes
die
.
Meme-popularized words
from the 2010s, such as
on fleek
and
yeet
, are cringe now. Lexical survivors must fill a niche, so
selfie
,
cancel
, and
ghosting
promise to stick around. As long as we remain governed by algorithms that promote engagement over nuance,
rage bait
is likely to last as well.