Who knew it would take an American pope to remind us of the value of art and good taste? | Jason Okundaye
In a surprising twist in the realm of modern religious leadership, Pope Leo XIV has emerged as an unexpected champion of culture and meaningful work in an age increasingly dominated by artificial intelligence and algorithmic content. Initially met with skepticism due to his American origins and ties to Chicago—a city known for its diverse yet controversial figures—Leo XIV quickly dispelled fears that he would align with the right-wing populism of the MAGA movement. Instead, his papacy has been characterized by a strong stance on social justice issues, including a deep empathy for migrants and marginalized communities, which has drawn ire from conservative factions. Far-right activist Laura Loomer, for example, labeled him “anti-Trump” and “a total Marxist,” highlighting the stark contrast between Leo XIV and his predecessor, Pope Francis.
What sets Pope Leo XIV apart is not just his progressive political stance but his robust engagement with the arts and culture. In a world where algorithm-driven content often lacks depth and authenticity, Leo XIV has positioned himself as a patron of meaningful work, advocating for creativity and beauty as essential components of the human experience. His leadership emphasizes the importance of cultural engagement, encouraging artists and creators to pursue their crafts with purpose and integrity. This approach resonates beyond the confines of the Catholic Church, appealing to a broader audience that values genuine expression over the homogenized output of AI-generated content. As Leo XIV continues to navigate the complexities of his role, he offers a refreshing perspective on the intersection of faith, culture, and the challenges of contemporary society.
With his unique background and commitment to progressive ideals, Pope Leo XIV has become a symbol of hope for many who seek a more compassionate and culturally rich world. His papacy serves as a reminder that leadership can transcend traditional boundaries, fostering a deeper appreciation for the arts and a more inclusive dialogue around social issues. As we move further into an era shaped by technology, Leo XIV’s emphasis on human connection and creativity could inspire a renaissance of meaningful engagement, challenging us to reconsider the role of faith and culture in our lives.
Anti-AI and pro-beauty, Leo XIV has proved an unlikely custodian of culture – and a patron of meaningful work in a world of algorithmic slop
So, who figured that Pope Leo XIV would end up being kind of cool? Not me. Although as a lapsed Catholic I had little stake in the conclave race, I felt that there was something unglamorous, dare I say godless, about a first-ever supreme pontiff born in the US, let alone one hailing from Chicago, the same city as Hugh Hefner, Hillary Clinton and Kanye West. There were greater apprehensions beyond taste, too. Would this finally be the ordination of the reinvigorated Maga movement after the death of the compassionate Pope Francis? When Leo appeared on the balcony of St Peter’s Basilica wearing the traditional red mozzetta cape eschewed by his predecessor, it was too easy to jump to conclusions.
By the grace of God, the red mozzetta was a red herring. Very quickly, American conservatives went into meltdown over the pope’s patent anti-Maga leanings and his empathy for migrants and marginalised groups – “anti-Trump, anti-Maga, pro-open borders and a total Marxist,”
fumed far-right activist Laura Loomer
. That alone has been a relief. But perhaps even more significantly, Leo has demonstrated the benefits an American bishop of Rome can have for the rest of us, Christian, Catholic or otherwise: that is through his exemplary cultural leadership, and close engagement with the arts.
Jason Okundaye is an assistant newsletter editor and writer at the Guardian. He edits
The Long Wave newsletter
and is the author of
Revolutionary Acts: Love & Brotherhood in Black Gay Britain
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