Review: Even With Olga Smirnova, Dutch National Ballet Falters
The recent season of a prominent dance company at New York City Center marked its first major engagement in the city in several years, but unfortunately, it has drawn criticism for its lackluster repertory. Despite the excitement surrounding the company’s return to this iconic venue, audiences were left underwhelmed by the selection of performances, which many deemed mediocre. The season featured a mix of classic and contemporary works, yet failed to deliver the high artistic standards expected from such a renowned institution.
One of the key factors contributing to the disappointment was the choice of pieces, which didn’t resonate with the audience as strongly as anticipated. Critics noted that the repertoire lacked the innovation and emotional depth that typically characterizes the company’s performances. For instance, while some classic ballets were included, they were presented in a manner that felt stale and uninspired, lacking the dynamic energy and fresh interpretation that could have revitalized these works. Furthermore, the contemporary pieces, which were expected to showcase the company’s evolution and adaptability, fell flat, failing to engage the audience or push the boundaries of the art form.
In light of these shortcomings, the company’s return to New York City Center serves as a reminder of the challenges that performing arts organizations face in maintaining relevance and artistic integrity. As audiences grow increasingly discerning, the pressure to deliver exceptional performances becomes paramount. While the company’s history and legacy are undeniably impressive, this season’s lack of compelling repertory raises questions about its current direction and future potential. Moving forward, it will be crucial for the company to reassess its programming choices and strive for a balance between honoring tradition and embracing innovation, ensuring that its performances resonate with both loyal fans and new audiences alike.
For its season at New York City Center, its first major engagement here in years, the company disappoints with mediocre repertory.
